MALMÖ II is the continuation of a highly successful project that was warmly received and widely published as an interior design project. The challenge was not simply to create a sequel, but to continue its story in a way that respected the original while expressing a more contemporary perspective. This required extensive discussions about the project’s values, the different directions it could take, and, ultimately, a shared understanding of what MALMÖ II should become.
When I was asked to design MALMÖ II, I knew it would evolve in exciting directions. At the same time, I felt responsible for introducing a fresh perspective while treating the original project with great respect. We realized that the project needed a strong set of core principles, defining its character through a restrained material palette and a more disciplined design language. More than anything, the project became about creating a feeling—an atmosphere—and exploring how carefully selected materials, textures, and light can evoke emotion.
We approached the interior with a graphic vision of space and materials, creating an environment that feels luxurious yet understated. To achieve bright, modern, and elegant spaces, the walls were hand-painted with a matte mineral finish, complemented by herringbone oak flooring and a subtle palette of beige and warm brown tones.
The result is a sophisticated hotel characterized by lightness and simplicity. Its monochromatic palette, honest raw materials, and carefully curated collection of Danish classics and bespoke furniture—designed by our studio and produced by Zaira Collection—create an atmosphere that is both timeless and welcoming. The project achieves a delicate balance between old and new, softness and structure, creating spaces that feel both calm and deeply atmospheric.
The material palette was intentionally kept to a strict minimum, allowing craftsmanship and texture to take center stage. One of the bathrooms features our studio’s Minoica washbasin, finished in a rich burgundy tone specially developed for this project, introducing a subtle moment of colour within the otherwise restrained interior.
The bespoke furniture and lighting designed by our studio—including the Step Console and the Burgundy Light, produced by CustomLightNow—sit alongside iconic Scandinavian lighting pieces, such as the Bow Lamp by 101 Copenhagen, creating a dialogue between custom craftsmanship and contemporary design classics. Vintage objects complete the composition, adding warmth, character, and a sense of history.
Particular attention was given to the quality of light throughout the hotel. Soft, layered illumination enhances the textures of the materials and creates an atmosphere of warmth, serenity.
Located in the historic centre of Chania, within the Old Town, the hotel offers its guests the rare opportunity to experience the vibrant life of the city while enjoying the tranquility and intimacy of a peaceful retreat.
